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Longstaff, J. S. (2011). Rudolf Laban's (1926) Choreographie - Origins of a Conception of Body-Space.
Including an English translation of Choreographie by Evamaria Zierach and Jeffrey Scott Longstaff.
Internet Presentation: http://www.laban-analyses.org/jeffrey/2011-Rudolf-Laban-1926-Choreographie/index.htm

CONTENTS

 i Preface to this Translation (August 2011)

 I. Rationale and Personal History of research in the development of this translation

 II. Style, format, and abbreviations used in this translation

 III. Survey of major concepts in Laban’s 1926 Choreographie (30pp)

 IV. English Translation of Rudolf Laban's (1926) Choreographie
(Page numbers refer to the 1926 publication)
     Preliminary pages (cover, title page, contents page)  
  [1] Introduction

1   

  [2] Elements of Form Theory

3   

  [3] Analysis of Movement

6   

  [4] Direction Theory

13   

  [5] Rhythmics

16   

  [6] Placements of Spatial Tensions

17   

  [7] Spatial Organisation of the New Choreography

19   

  [8] Swing Scales

24   

  [9] Central and Peripheral Inclinations

27   

[10] Harmony of the Primary Inclinations

29   

[11] Comparison with Ballet Positions

35   

[12] Four Rings

36   

[13] Three Rings

40   

[14] Axis and Equator Scales

43   

[15] Combinations of Equatorial Inclinations

47   

[16] Volutes

49   

[17] Feuillet’s Choreography

54   

[18] Minuet

56   

[19] Elements of the Ballet Description

62   

[20] Comparisons from Preceding Points [Ballet vs. New Dance Script]

64   

[21] Pathways

65   

[22] Steps and Jumps

68   

[23] Turning

70   

[24] Specialized Movements of the Distal Limbs

73   

[25] Primary and Secondary Streams [Space and Effort]

74   

[26] Plastic Direction Groups

78   

[27] Performance Terminology and Movement Concepts

80   

[28] Spatial Correlations [Body Coordinations]

86   

[29] Free Signs

89   

Appendix [ 1 ] - Exercise Sequences as Introduction to Script

92   

[Appendix 2 ] - Guidelines for Writing

100   

[Appendix 3 ] - [Twenty-two Photographic Plates]

 
 V. Inclination numbers from the A-scales and B-scales
 VI. Laban Vector Signs - overview
 VII. Vector sign sequences in Choreographie translated to Labanotation direction signs:
(Page numbers refer to the 1926 publication)
  VII.1 Axis Scales (Transverse 6-Rings) 44   
  VII.2 Exercise for Bodily Practice; Scales assembled from short Peripheral Directions (Peripheral 18-rings with Peripheral Inclinations and Peripheral Dimensions) 47   
  VII.3 Volutes with Volute-links (Transverse 3-Rings) 50   
  VII.4 Scales Combined from Primary-directions in Four Diagonals over twelve directions (Transverse 12-Rings using all four diagonals) 51   
  VII.5 Scales Combined from Primary-directions in four diagonals over all 24 directions (Transverse 24-Rings using all four diagonals) 52   
  VII.6 Combined scales from primary-directions with dimensions and volute-links which are traversed twice (Transverse 48-Rings with Transverse Inclinations and Transverse Dimensions) 53   
  VII.7 Augmented three-rings or Double-volutes with one Action-swing-direction (Transverse 4-Strings) 72   
 VIII. Laban's "Diagonal Script"
 IX. English - German Translation Index
 X. Reference List



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